I like to buy and listen to a lot of new music, always looking for something that is going to make my head swing, get my feet going and find a song that I have to put on repeat. On my iPod I have a playlist I titled “New and Noteworthy”. The past few weeks I have added few new selections to the playlist, they make up part of my summer music.
For Fleetwood Mac fans do not confuse Buckingham/McVie with the 1973 Lp Buckingham/Nicks, but let me just say, if you a fan of Fleetwood Mac, this is a MUST have for you. It can be called, though it wasn’t, a reunion album for the band. The only person missing form performing is Stevie Nicks, but you don’t miss her. The sound on this album took me back to 1975’s Fleetwood Mac Lp, you know – the one BEFORE Rumours.
It is clear that the same musical chemistry that propelled Fleetwood Mac in the ‘70’s has not faded 40 years later. These two sound good together, the song writing is great with each contributing their own songs and collaborating on others. Key tracks on this disc are ‘Sleeping Around the Corner’, ‘Red Sun’, ‘Game of Pretend’ and ‘Feel About You’. The challenge is to shuffle Fleetwood Mac with Buckingham/McVie and try to differentiate the two.
With Fleetwood Mac touring this summer (with Stevie Nicks) you can bet the new Buckingham/McVie material will fit right in.
This CD was sadly, anything but a pleasure to listen to. I found it missing the melodies and musicality of her previous outings. I never expect to hear another ‘1-2-3-4’, but almost every track on this record is so far from it that it would be hard to recognize it as a Fiest record at all. “Pleasure “ is stripped down, and stripped down works for some artists, Johnny Cash is an example, but it doesn’t work for Fiest. It does not work for me because of Fiest vocals; they don’t match the raw guitars, the raw production and yes, the raw songs written for the records.
I heard Fiest interviewed by Tom Brown on CBC’s q; there she says that women will better understand this record. Maybe that’s it; I gave this record a few extra spins hoping the music would grow on me. I am disappointed that it didn’t – I really wanted to like this record, but I am not ready to give up on it either.
Ruth B “Safe Haven”
It took me forever to learn that it was Ruth B behind the song ‘Lost Boy’, only after seeing her perform the song at the Juno Awards did it click just how good the song was.. On that performance I went and purchased the EP “the Intro”, then “Safe Haven came out. Ruth B has an amazing voice and just might be the soul/r&b singer that Canada has been waiting for. In fact the comparisons to Alicia Keys are very much warranted.
Through Safe Haven, Ruth B surprises and presents a sound that may have been in the works for years. It is a maturity that could be equal to, yes – Alicia Keys. With key tracks like ‘Dandelions’, ‘World war 3’, ‘First Love’ and ‘Superficial Love’ make Safe Haven a Summer Album for me. I hope that you will also make it one of your summer listens for the summer of ’17.
With no new music planned from Taylor Swift (but that doesn’t mean something won’t drop before Christmas) Lorde’s follow up to the 2012 Heroine had the largest expectations of all of this years new music releases. Melodrama opens up with the lead single ‘Green Light’, one of the best songs I have heard all year. My worry was if it would be the best song on the album. With a percussion driven set of songs, Melodrama that will remind you of her debut, but in Melodrama I found myself on a few occasions thinking of Phil Collins and the trademark sound he had on his solo work. As different as each song is, each track also melts into the next, almost seamlessly. Lorde’s vocals are unique, her phrasing is unlike what we still don’t hear a lot of today, and yet it is still not tiring to listen to. Melodrama was a good surprise, bit of Heroine but also lots of growth over four years. It may not have a ‘Royals’, but it doesn’t need one.
Serena Ryder “Utopia”
I saw Serena Ryder last summer in Thunder Bay play off Lake Superior on an all-Canadian bill that also featured Gowan and Tom Cochrane. I have been listening to Serena Ryder since she released “If Your Memory Serves You Well” in 2006, and I learned about her from Randy Bachman’s Vinyl Tap on the CBC, I’ve been listening since the early days of ‘Little bit of Red’, ‘Good Morning Starshine’ and ‘You were on My Mind’. 2012’s ‘Stompa’ was huge leap for Ryder and ‘Got Your Number’ was an early indication to me that she continuing the leap.
With Utopia, the evolution continues, Ryder’s song writing continues to grow and here the songs are personal, more than before, as she trusts herself more to lay out her life before us. Along with ‘number’, ‘Hands’, ‘Ice Age’ and ‘Sanctuary’ demonstrate what I think are some of Ryder’s’ best songs in years. Utopia as a destination is a high reach; musically for Serena Ryder, Utopia is a place we can hear a performer continue to grow.
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